Sharjah: Sharjah Art Foundation (SAF) continues an extensive programme of music and film screenings as part of Sharjah Biennial 11 (SB11), “Re:emerge - Towards a New Cultural Cartography,” which opened on March 13 and will continue till May 13.
Film screenings programmed by Tilda Swinton, Jean-Pierre Rehm, Ali Jaafar, Steve Anker, Khavn De La Cruz, Alcino Leite Neto, Mehelli Modi and Apichatpong Weerasethakul take place each weekend at Mirage City Cinema, an open-air architectural space designed by Apichatpong Weerasethakul and Ole Scheeren for SB11.
On Thursday Tony Chakar’s performance “One Hundred Thousand Solitudes” will examine images from the recent Arab revolutions and international Occupy movements.
On Saturday his book launch The Dialogue That Is Us will take place, along with his lecture performance “The Space of N_n” that will tell the story of an old woman who walked through Tahrir Square during the siege by the Egyptian army, distributing a message of non-violence to the soldiers.
On Friday, electronic composer and visual artist Ryoji Ikeda will present an audiovisual concert, “Datamatics [ver. 2.0]” using 2D sequences of patterns derived from hard drive errors and studies of software code.
A powerful and hypnotic soundtrack will reflect the imagery through a layering of sonic components to produce immense and apparently boundless acoustic spaces.
Tarek Atoui’s sound composition “Within” unfolds over the course of SB11 through interrelated movements that build up and feedback on each other.
With several performances in each movement, Within progresses spatially from areas around the city to the Biennial sites, taking place in outdoor locations where the audience is close to the performers.
The project Tacet, an investigation into how deaf people understand and perceive sound, inspired Atoui to write Within as a chain reaction of rhythmic and plucked pulses, silent and emic ones.
On Friday, Charbel Haber will perform his composition for electric guitar and pedals.
On April 26, Wu Na will perform a piece that she composed for “The Guqin.” On May 9, Atoui and students from Al Amal School for the Deaf will perform their composition “Below 160.” Hassan Hujairi will perform “Music for handmade electronics, laptop and electric oud” that is the final movement of Within on May 10.
On May 10, during the final week of the biennial, German-Iraqi chamber music ensemble Lagash will perform music drawn from the centuries-old Maqam tradition, a melodic system in classical Arabic music that is based on specific note combinations.
For SB11, Curator Yuko Hasegawa proposes a new cultural cartography that reconsiders the relationships between the Arab world, Asia, the Far East, through North Africa to Latin America.