Meeran Nasir strives for a covenant between Man and Nature in her art

Muhammad Yusuf, Features Writer

“I am a passionate and dedicated self-taught Pakistani artist residing in UAE since 2006,” says Meeran Nasir. “I am an architect by profession and an artist by passion. This evokes profound emotions and feelings in me. It moves me to create art that connects the viewer with my personal experiences and drives me to explore the infinite beauty and eternal rhythms of the natural world. Through my paintings, I want to invite the viewer to appreciate the delicate balance between human intervention and the enduring power of Nature and its beauty.”

She mostly use acrylics as her medium. Each brushstroke and colour choice, she says, carry deep meanings. Drawing inspiration from the architecture of buildings and natural landscapes, she fuses them in her imagination to create abstract forms. In her works on water bodies, she uses swirling shades of blue, turquoise and green in different textures, to create a sense of movement and depth. Her landscapes depict the intricacies of the ecosystem, showcasing the distinctive features of mangrove forests, lagoons and bays, exploring their ecological significance and pointing to the importance of biodiversity. Her architectural paintings reveal cultural and architectural details, honouring the craftsmanship and delicate work involved in the construction process. She has been participating in exhibitions within and outside the UAE. Meeran Nasir speaks to Gulf Today

How does your background in architecture help you as a painter?

Architecture helped me understand structures, the ability to visualise three dimensionally, grasp spatial relationships, proportions and compositions. These values can enhance the layout and balance of a painting. As architects, we are trained to pay attention to intricate details: it can translate into precise and meticulous brushwork in painting. Having the knowledge of perspective drawings helped me achieve realism and depth in my paintings. Architecture taught me the design principles of symmetry, rhythm and harmony, which I apply to create visually pleasing and cohesive paintings.

Architecture and abstraction are two parallel artistic lines that never meet. Is that so in your case?

They seem like parallel lines, but actually they intersect in the realm of design and conceptualisation. Architecture involves tangible manifestations of abstract ideas, translating them into physical structures. Abstraction, on the other hand, provides the conceptual framework and creative thinking that informs architectural design. So, while they may not meet directly, they are deeply interconnected in the process of creating functional and aesthetically pleasing built environments.

How are manmade structures and nature’s ecosystem linked in your practice?

Paintings that incorporate both manmade structures and the natural ecosystem offer viewers a rich tapestry of visual elements and themes, inviting them to reflect on the interconnectedness of human civilisation and environment. Manmade structures existing in the natural ecosystem can be used symbolically to convey deeper meanings or metaphors. For example, my paintings of water bodies, islands and mangroves heavily symbolise the inevitable power of nature as well indicate urban encroachment on natural habitats. They also shine a light on efforts to preserve and protect the environment. On the other hand, depicting buildings symbolises the impermanence of human construction. Creating such paintings can encourage contemplation and discussion about human relationships with the natural world.

Why do water bodies attract you?

I remember since my childhood I used to admire the turquoise and blue colour of the sea and other water bodies. They left a very strong impact on my mind. To me, water bodies provide stunning natural scenery, whether it is a sparkling lake, a tranquil river or the vastness of the sea. The sound of water, whether it is a gentle lapping or the rush of a waterfall, provides a calming effect, perfect for relaxation and meditation. I find water bodies a source of life, purification and energy.

Is your imagination the place where various forces and ideas are amalgamated?

Indeed it is. Imagination is a fascinating realm where ideas, concepts and creativity come together in a harmonious blend. It is a space where diverse elements amalgamate to form new and innovative creations. In the realm of imagination, boundaries are limitless and possibilities are endless. I can think of anything in my imagination; it can guide me to explore new horizons and unlock my full creative potential.

Do you work in plein air or in a studio?

I have always been painting indoors as it gives me a controlled environment where I can focus on my work, without distractions. It gives me flexibility and convenience to experiment with techniques, materials and compositions, without compromising on freedom and ease of work.

Who are the artists who inspire you and why do they do so?

My first inspiration was renowned Pakistani painter, Ismail Gulgee, who started by painting portraits before turning to abstract art, basing his work on Islamic calligraphy. He is best known worldwide for his abstract work and gestural interpretation of Arabic and Urdu letters. He painted my father’s portrait - that actually really inspired me to paint, as I grew up seeing that painting in my lounge. I have always admired his work.

How has Pakistan influenced you as an artist?

Pakistan has a rich cultural heritage that has inspired many artists, both within the country and around the world. There are many renowned and talented painters from Pakistan whose works, with their unique style and perspective, have made significant contributions to the world of art. I am greatly inspired by their work.