New York Times to return award for podcast on terrorism

Gulf  Today Report

In an era when a tsunami of news swamps social media, it can be hard to differentiate between what’s fake and the genuine article. Despite applying the rigorous standards of editing and fact-checking, there can be slip-ups sometimes. Result: tall stories grab the headlines. Fake news takes centre stage, as happened with a podcast of the New York Times.

The New York Times admitted on Friday that it could not verify the claims of a Canadian man whose account of committing atrocities for Daesh in Syria was a central part of its 2018 podcast "Caliphate.”

The series had won a Peabody Award, the first ever for a podcast produced by the newspaper, but within hours administrators said the Times would return the award. The Overseas Press Club of America said it was rescinding its honour for "Caliphate.”

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With a major hole blown in the narrative, the Times affixed an audio correction to the beginning of each part of the 12-part podcast and published an investigation into what went wrong with the story in Friday's newspaper. The story's central reporter, Rukmini Callimachi, will be reassigned off the terrorism beat, the Times said.

Dean Baquet, the paper's executive editor, said in a podcast that "this failing wasn't about any one reporter. I think this was an institutional failing.”

The Times assigned an investigative team to look into the story after Canadian police in September arrested Shehroze Chaudhry, who used the alias Abu Huzayfah, for perpetrating a terrorist hoax. He told the Times that as a Daesh soldier, he had shot one man in the head and stabbed another in the heart.

Andy Mills (left) and Rukmini Callimachi hold the award for their 2018 podcast "Caliphate” at the 78th annual Peabody Awards in New York on May 18, 2019. AP

Chaudhry's story fell apart upon further examination. Investigators concluded they couldn't be sure he'd ever been in Syria and almost certainly didn't commit the atrocities he'd claimed. Supposed evidence he offered to back up his story, including photos from Syria, were gathered from other sources.

Misrepresentations

The Times concluded he was a "fabulist” who concocted stories as an escape from his mundane life in a Toronto suburb or living with grandparents in Pakistan.

"All the evidence that he presented that he went to Syria was either ripped from somewhere else, was inconclusive or just didn't hold up,” Mark Mazzetti, who led the Times' investigative team on Chaudhry, said in the podcast. "We found a lot of misrepresentations by him, and nothing that independently corroborated his claims of being a Daesh executioner inside Syria.”

The episode raises questions about whether the New York Times applies the same journalistic rigour to stories done by its audio unit as it does for print pieces.

Chaudhry’s lawyer, Nader Hasan, would not comment on the Times’ story. He said Chaudhry was not guilty of the Canadian charges and will "vigorously defend himself.”

The Times had ample reason to be suspicious of Chaudhry’s account, since an episode of "Caliphate” was devoted to discrepancies in his story and its own fact-checking. But Baquet likened it to confirmation bias, of wanting to believe what seemed like a great story.

"This is one of those cases where I think we just didn't listen hard enough to the stuff that challenged the story or to the signs that the story wasn't as strong as we thought it was,” he said.

Callimachi said on Friday that it was "gutting” to let down her colleagues. She said she should have caught more of the "lies” Chaudhry told her, and tried to make clear what the newspaper did and didn't know.

This photo shows the exterior of the New York Times building in New York. File/AP

"It wasn't enough,” she said in a statement. "To our listeners, I apologise for what we missed and what we got wrong. We are correcting the record and I commit to doing better in the future.”

Callimachi worked at the Associated Press from 2003 to 2014. The news organisation said on Friday that her reporting on terrorism "went through a rigorous editing process at all stages of the reporting and prior to publication. We stand by the stories.”

Discrepancies

As a result of an investigation into her work, the Times attached editor's notes correcting some of the details in two other stories under her byline. In a 2014 story about a Syrian journalist who claimed he saw American hostages being held in a former factory in Syria, the Times notes that the source had given inconsistent stories to others. The Times also called into question the documents that were the basis for a 2019 story that Daesh leader Abu Bakr al-Baghdadi had been hidden at the base of a rival group because he had paid protection money.

The brother of murdered American journalist James Foley had in the past called into question details of a Callimachi story about her brother, but the Times backed her work.

Rukmini Callimachi said on Friday that it was "gutting” to let down her colleagues. She said she should have caught more of the "lies” Chaudhry told her, and tried to make clear what the newspaper did and didn't know.

Baquet noted the difficulty of covering terrorism and faulted himself and top deputies for not paying closer attention to "Caliphate.” In contrast, he said he looked at so many versions of the newspaper's investigation into President Donald Trump's finances that "I could almost do Trump's taxes at this point.”

"I didn't personally pay enough attention to this one,” he said.

The episode raises questions about whether the Times applies the same journalistic rigour to stories done by its audio unit as it does for print pieces. The Times moved more aggressively into audio about four years ago and produces "The Daily,” one of the most successful podcasts on the market.

In an interview with NPR, Baquet said editors accustomed to print pieces were deferential to an ambitious audio team presenting a compelling narrative yarn.

That angered Madhulika Sikka, a former top NPR executive who was also audio executive producer at The Washington Post before getting into publishing. She tweeted that if audio products operated under different rules than the rest of the newsroom, the problem is with the newsroom, not the platform.

"If this had been a print story, would there have been different rules applied?” Sikka said in an interview. "I don't know. It was the implication in Dean Baquet's quote that I found objectionable.”