A Hong Kong boy band takes on the might of China

Alice Su, Tribune News Service

It was Eddie Ho’s worst nightmare: calling one of the boys’ parents to say that they’d been arrested. Ho, 31, had managed Boyz Reborn, a teenage boy band in Hong Kong, since the boys were elementary school kids during his social worker days at a community centre in a suburban public housing estate.

They’d grown up together, the nine members flipping their hair, strumming guitars and belting out songs about the trials of growing up. Schools and local TV stations gushed over how cute and socially conscious they were. That was before their songs took a political turn, shifting from grades and girls to tear gas, freedom of thought and self-determination.

Born in a post-handover Hong Kong that officially belonged to China but had not yet been integrated into the mainland system, the boys are part of a generation that has taken a frontline role in Hong Kong’s six-month protests.

They chose their band name based on a saying common among their peers: “This city is dying.” Now their lead singer, Ben Chan, 19, was pressed under the weight of several police officers, grinding his bleeding nose into the ground.

It was Oct. 6, two days after Hong Kong’s government announced a ban on masks in public gatherings. Police had pounced on Chan in an alley, arresting him for illegal assembly, mask-wearing and possession of an offensive weapon — a laser pen in Chan’s bag — at a protest.

He is one of more than 4,000 people arrested in Hong Kong’s protests so far, about a third of whom were born after 1997. Ho was in another part of the city, accompanying injured protesters to a hospital, when he heard about the arrest. He shuddered as he dialled the number for Chan’s parents.

“Eddie, why didn’t you stop my son?” Chan’s mother cried as she heard the news. Chan’s father was quiet, then sarcastic. “You guys have got the team to manage this, right? I don’t have to do anything, right?” he scoffed.

For the first time, Ho didn’t know what to say.

Boyz Reborn began in 2011 as Big Boyz Club, a group of nine 11-year-olds who were neglected by teachers because they had bad grades and were distant from parents who spent long hours at work.

Many of their early songs were about academic pressure and wanting to be worth more than their schoolwork. In Hong Kong, a hyper-capitalistic society with one of the worst levels of wealth inequality in the world, failures tend to be blamed on the individual, Ho said.

“We usually blame the victim, like: You don’t work hard enough, so you don’t have enough money to pay for rent. You don’t study hard enough, so you can’t get a good job,” he said.

Only when he became a social worker did Ho realize that public policies were behind many of Hong Kong’s housing, welfare and inequality problems. He brought the boys along on volunteering trips, determined to instill a sense of civic responsibility in them.

“You’ve got to love and care for the place that you live in, and you will try to make it better,” he said. “If there’s something bad happening in this place, you should do something about it. You shouldn’t just sit and see it go down.”

Soon, their songs shifted from the personal to the political. They sang about education reform, urban poverty and environmental protection. One of their top hits was a music video in which they stood on a beach, hands linked, singing against a proposed land reclamation project.

In 2012, Hong Kong’s secondary school students led a movement against a proposed “moral and national education” curriculum that would have reshaped history textbooks in the Chinese Communist Party’s favour.

The band wrote a song about freedom of thought. In 2014, police fired tear gas at protesters occupying downtown Hong Kong and demanding universal voting rights in the Umbrella Movement.

The band wrote a song about tear gas and performed on stage in the protest camps. At that point, Ho said the social work agency — which didn’t respond to request for comment — pressured him to keep away from politics.

At church (Ho is a devout Christian), he was criticized for being too secular. “They would say, ‘You should go to church, you should pray to God, you shouldn’t get involved into the conflict of the people. It’s not spiritual,’” he said.

But the boys refused to stop. They moved out of the community centre, changed the band’s name and wrote a song about holding on to their values despite the apathetic mainstream. Recently, their songs were also blocked from music streaming sites in mainland China.

“Some people say our songs are politicised. But to us, we are just speaking our truth,” Chan said.

Five years later, the mood in Hong Kong has changed. Social workers are protesting — as are lawyers, doctors, teachers, white-collar office workers and many Christians. Ho believes it’s because the problems in Hong Kong have become more apparent in recent years.

The much stronger police response to this year’s protests has also triggered public anger, even among those who are not at the front lines.

“The protests are too intense, too violent. I didn’t go out,” said CT Yeung, 33, an English teacher at the boys’ former primary school.

One night in October, one of his former students — a classmate of the Boyz Reborn members — was arrested for the second time during a protest. Yeung sent him an intentionally vague message on Instagram: “How are you doing? Will you come visit soon?”

Then he deleted it, worried about potential repercussions. “I cried,” Yeung said. He felt ridiculous for deleting his own message, but also afraid.

“The youngsters, they are brave,” he said. “I understand why they keep going out every time. Actually, they’re protecting us. If there were no front-liners and no noise and no news, no one would pay attention to these issue anymore.”

When the boys perform, they hang up a red and white towel emblazoned with a lyric from one of their songs: “Youth is being stubborn and following your intuition.”

Chan, who has floppy hair and big glasses, tends to crumple as he sings, grasping the mic with both hands as if he’s holding on for his life.

The band members say that he’s their “angry bird,” the most emotional and impulsive one. It’s a joke, but one that often worries them. Chan takes medication for anxiety and depression and has veered near suicide several times. The latest was earlier this summer, just a few weeks into the protests.

“Ever since Umbrella I had this strong feeling: What I’m doing right now is just helping Hong Kong to die a little slower,” Chan said.

One of Boyz Reborn’s latest songs is called “How can I save you?” It’s an expression of how helpless Chan feels, trying to accompany the middle schoolers but fearing their arrest.

“You just don’t want them to carry so much, to pay such a high cost,” he said.