Olivia Petter, The Independent
Robinne Lee is fed up with hearing the name “Harry Styles”. “It’s very frustrating,” the author of The Idea of You admits over Zoom, referring to how frequently the musician’s name is invoked in discussion of her bestselling book: a tale of an older woman falling in love with a young British boyband star. “In the beginning I thought it was interesting, but it’s taken on a life of its own. I’m like, come on guys! What happened to the 22 other men I used to make this character? It feels very reductive.” The chatter surrounding Lee’s 2017 novel, which has been adapted into a film streaming on Prime Video this week and starring Anne Hathaway, neatly proves the point the 49-year-old author and actor is trying to make. The Idea of You seems like your run-of-the-mill story about a regular person falling in love with a celebrity — a pop culture trope immortalised by Richard Curtis’s classic romcom Notting Hill, as well as films including Win a Date with Tad Hamilton! and Music and Lyrics. But by making her protagonist a 40-year-old single mother, Lee subverts the genre, offering up a piece of work that is far less interested in celebrity culture than it is in female sexuality, motherhood and misogyny.
“We write women off at a certain age,” Lee tells me from an ornate living room that looks like it’s been pulled from the pages of House & Garden. Physically poised and bearing an innate sense of calm, the writer is not unlike her leading lady. She says that the book was partly inspired by turning 40 and noticing how differently she was being perceived. “(That age is) just as most of us are coming into our own. But we’re on the downslope because so much of our power is supposedly connected to our youth. Whereas when men turn 40, they continue to gain prestige and power. So, I really wanted to turn that on its head.” It’s not without a heady dose of irony, then, that a book about womanhood has become so intrinsically linked to one man. “Life imitates art in many ways,” sighs Lee.
The Idea of You, which was first published in 2017 and became a TikTok-aided smash in 2020, follows 39-year-old Solène Marchand, an art gallery owner and divorced mother of a 12-year-old girl. Chic, sophisticated and French (Lee is a fully-fledged Francophile), Solène takes her daughter and her friends to Las Vegas for a meet and greet with one of the world’s biggest boybands, August Moon. It’s there that she meets Hayes Campbell, the band’s 20-year-old British frontman with “piercing blue-green eyes and a mass of dark curls”. A clandestine affair ensues, quickly progressing into a full-on relationship that takes the unlikely duo around the world, inevitably spawning tabloid scrutiny once they’re caught out.
The film adaptation is a lot of fun — with The Independent’s Clarisse Loughrey praising it for striking a “nice balance between wholesome and sultry” — and does much to stir the romcom genre from its perceived grave. There are romantic scenes in hotel suites. Adorable childlike dance sequences. Acerbic one-liners with added bite: “People hate happy women”. Little has been changed from the book except for the ending. “That was not my decision,” Lee asserts, clarifying that she had little to do with the adaptation, which was written by Michael Showalter and Jennifer Westfeldt. Without spoiling anything, it’s safe to say that their conclusion is far less realistic than Lee’s. “I think Hollywood likes a Hollywood ending. I wanted to show how women put others’ happiness before their own. So often, we do that. And I wanted to force people to look at that and discuss it.”
One of the book’s key talking points is age gap relationships, a subject that is discussed very differently depending on the gender of the older partner.