Many worlds, multiple inspirations are central to Mozhgan Afrisham’s themes - GulfToday

Many worlds, multiple inspirations are central to Mozhgan Afrisham’s themes

Mozhgan 2

A work done in a tapestry of colours.

Muhammad Yusuf, Features Writer

Artist and illustrator Mozhgan Afrisham is of Iranian origin; she resides in the UAE. “My artistic journey has been shaped by my experiences living and studying in various countries,” she says. “It allows me to infuse diverse cultural elements in my creations.” She has a Bachelor’s Degree in Art & Design from Malaysia, and a Master’s degree in Marketing; she has taken part in events in many significant galleries across the UAE, including World Art Dubai. She primarily focuses on portraits of women, mixing the pictures with scenes from nature and symbolism. She also draws inspiration from tribal culture and the spiritual universe. “I strive to capture the inner essence of my subjects,” she says, “creating vibrant and therapeutic artworks that evoke a deep sense of emotion and introspection. My style and creativity are reflective of my outlook on the world, and I take pride in offering customisable artworks that cater to the individual preferences of my clients.”

In addition to her artistic practice, she also offers digital art classes, both online and otherwise, in Dubai. The sessions are comprehensive and cover Photoshop and Procreate techniques, as well as mixed media digital art and illustration. Mozhgan Afrisham speaks to Gulf Today about her life and artistic inspirations

Has studying in Malaysia affected you as an artist? If so, how?

Moving abroad at just 17 years of age to study in Malaysia, I was continually inspired by the country’s stunning natural landscapes and the harmony of its diverse cultures. The connection to nature and the multicultural environment there, encouraged me to blend various cultural elements in my own art. It reflects both my personal journey and the broader world around me.

Don’t digital printouts, on which you work, make the art artificial than natural?

Not at all! Digital printouts can actually enhance the natural beauty of art by allowing for more precise and vibrant reproductions of the artist’s vision. The misconception that digital art is less “natural” overlooks the fact that all forms of art — whether traditional or digital — stem from the same creative process. Digital tools allow me to experiment with textures, colours and compositions in ways that might not be possible through traditional methods alone. Digital creations can also be further enhanced with mixed media, adding tactile depth and imparting a unique, handcrafted quality to each piece. We can also push the boundaries of innovation here. It’s not about replacing the natural with the artificial, but about expanding the possibilities of what art can be, while still retaining the essence and emotion behind every stroke and detail.

Mozhgan 1 Mozhgan Afrisham is based in the UAE.

Why are you a woman-oriented artist?

I’m deeply inspired by the strength, resilience, and beauty of women. My work is a celebration of the feminine spirit, exploring the many layers of a woman’s identity, emotions, and experiences. It is also a way to highlight their voices and stories, which have often been overlooked or are underrepresented in the art world. By painting women, I aim to convey their inner worlds — their dreams, struggles and triumphs — while also reflecting on my own journey as a woman.

How have Iran and the UAE influenced your art making?

The intricate patterns, vibrant colours and deep symbolism found in Persian art, have left a lasting imprint on my creative expression. Additionally, the poetry of Rumi, Hafez, and Saadi has been a significant source of inspiration. Growing up in the south of Iran, on an island very close to the UAE, I was immersed in a culture and vibe that shares many similarities with the Emirates. Living in the UAE has further enriched my work by exposing me to a dynamic and diverse art scene. The UAE’s blend of tradition and modernity has encouraged me to experiment with new styles and techniques. The vibrant art community here has provided platforms to showcase my work and connect with audiences who appreciate the fusion of contemporary and traditional elements.

Why do you like colours?

I have always been drawn to the emotional power of colours, since they have the ability to convey a wide range of feelings and moods. Bright colours, for me, represent energy, life, and vitality. When I use bright colours, I aim to create an uplifting and invigorating experience for the viewer. Besides, each colour palette has its own voice and story to tell, through which I communicate the messages of my art.

Why does Nature play a large role in your art?

The natural world offers a rich tapestry of colours, textures, and forms that I draw upon to express emotions and ideas. It connects deeply with themes of beauty, harmony, and spirituality that are central to my work and helps bridge the gap between the external world and internal emotions.

Why do tribal cultures find a place in your art?

Tribal cultures are filled with rich symbolism, patterns, and spiritual significance. Tribal traditions, motifs, and their unique beliefs and lifestyles, have always fascinated me. I admire how tribal art and culture are rooted in timeless practices. This enduring strength and authenticity are what I aim to honour and reflect in my work. Tribal motifs and symbols serve as bridges between past and present, tradition and innovation.

How does calligraphy enhance your art, since you use it frequently in your work?

Calligraphy adds elegance, meaning, and cultural depth. Its flowing forms and intricate details, complement and amplify the emotional and symbolic aspects of my work.

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