A profusion of flaming flowers.

Muhammad Yusuf, Features Writer

Nada Al Barazi, an internationally acclaimed and award winning artist, began her artistic journey in 2017 from – where else? – Dubai. A holder of the Golden Visa conferred by Dubai Culture & Arts Authority, Nada has an enviable portfolio of exhibitions spanning major cities such as New York, Paris, London, Rome, Tokyo, Florence, Miami, Istanbul and Monaco. A member of the prestigious Dubai Business Women Council and The Art Association in Geneva, she actively combines art and advocacy for the cause of peace. She is more often than not a much-anticipated VIP Guest, Guest of Honour or Chief Guest in art exhibitions and events. At the Omniyat Center for People of Determination, she provides art workshops and artistic activities for specially enabled people. Her accolades include the distinguished ‘Best Artistic Achievement’ award from Magzoid Emerging Art Icons 2023; ‘Best Oil Painter’ award from BeingShe Excellence Business and Professional Awards, 2023; and ‘Best International Fine Artist’ award from a leading English newspaper from Dubai in 2024. This year, she also won the award of ‘The Best Artistic Influencer of the Year 2023’ under the patronage of Sheikh Ahmad bin Rashed bin Hamdan AlNuaimi. Her works are held in private collections in Germany, UK, Turkey and USA, and have found a home in renowned museums such as Carrousel du Louvre, Paris; Zeugma Museum, Turkiye; and in South Korea. Nada’s artworks have been sold multiple times in renowned galleries such as Saatchi in London. She has a long term contracts with many well-known galleries located in cities such as Istanbul, Miami, London and New York. Nada Al Barazi speaks to Gulf Today

What made you take up art making seriously?

Encounters with art, whether through exhibitions or mentorship, have profoundly impacted my decision to pursue art seriously. Art serves as a powerful means of conveying emotions, ideas and messages, and I have found that it offers a unique way to explore and express my identity and experiences. The recognition and validation from the awards I have won have also reinforced my commitment to art practice. Further, I am driven by a desire to address and comment on societal issues, using art as a platform for change.

  Nada Al Barazi assesses a painting.

Have you had formal training in art?

I have pursued art in my own way, learning through practice and exploration. I’ve also embraced online platforms and other resources to learn new techniques. This has allowed me to continually evolve my style and approach.

Who are your most inspirational artists, East or West?

Artists like Wassily Kandinsky from the West and Hokusai from the East, have been the most inspirational. Kandinsky’s pioneering work in abstract art, where emotion and form are intertwined, resonates with my own desire to explore beyond what is seen. Hokusai, with his mastery of line, nature and simplicity, has influenced my understanding of beauty and balance.

How will you compare the strengths of Arab art vis-à-vis Western art?

Arabic art is known for its intricate geometric patterns, calligraphy and spiritual depth, focusing on symmetry and abstraction. It excels in detailed craftsmanship and transforming everyday objects into art. Western art, on the other hand, is characterised by its diversity and innovation, evolving through movements like realism and abstract expressionism. While Arabic art emphasises precision and tradition, Western art thrives on experimentation and individual expression. Both offer unique and powerful ways of understanding the world.

What are the positive consequences of overseas exhibitions of Middle Eastern art?

Overseas exhibitions promote cross-cultural understanding by showcasing the region’s rich artistic heritage and diverse perspectives. The exhibitions challenge stereotypes, foster dialogue and highlight the talent of Middle Eastern artists on the global stage. They also provide opportunities for artists to gain international recognition, access new markets and build connections with collectors, galleries and art institutions globally, helping to further their careers and expand the influence of Middle Eastern art internationally.

How do you think Arab art is affecting global art now?

The use of intricate geometric patterns, vibrant colours and expressive calligraphy in Arab art have inspired artists worldwide, influencing movements such as modernism and abstract art. Arab artists have introduced new perspectives on abstraction and representation, emphasising spiritual and emotional depth. The rich history of Arab art, including traditional crafts and contemporary practices, has also been influential. The exchange of ideas promotes cross-cultural dialogue, enriches the global art landscape and encourages collaboration among artists from different backgrounds.

Can you describe your working hours as an artist?

My working hours are flexible, typically starting in the morning with sketching and brainstorming ideas. I spend the day painting or working on various art forms or visiting other artists or galleries, to refresh my mind. Afternoons are dedicated to administrative tasks such as managing social media and updating my portfolio. In the evenings, I may attend art events or continue working in my studio.

How do special needs people touch you as an artist? How do you inspire them?

The resilience and unique perspectives of individuals with special needs reminds me of the beauty and strength of diversity. I strive to create inclusive environments for them where they can express themselves freely, whether through workshops or collaborative projects. I encourage them to explore their artistic potential and share their stories. This empowers them and I hope to foster a sense of community and understanding through our shared experiences. I believe art is a powerful tool for communication and healing.