Two mirrors, one reflection: the spirit of Mussarat Yasmin Abid’s art

Mussarat Yasmin Abid is an artist who has grown up in the UAE; she has her roots in Pakistan. A teacher of Visual Art for nearly two decades in Dubai, she is currently teaching at North American International School as Head of Department — Visual Art, where she guides high school students in their artistic journeys, including teaching the AP College Board curriculum. Her passion lies in modern art, particularly Mesh Wire Art. She is also drawn to the vibrant colours and patterns of Pakistan’s Truck Art, which often inspires her paintings. Abid’s work has been exhibited internationally in countries like Greece, Pakistan and Bangladesh. In the UAE, she has showcased her work at various exhibitions and venues, including those organised by Funun Arts, Ajman University, PaintBrush Art Community, Dubai International Financial Centre, Arab Culture Club and at Mohammad bin Rashid Library.

She was a panelist at the talk for Paperworld Middle East, Dubai World Trade Centre, on the topic ‘Digital Art or Physical Art’. She also conducts workshops and master classes for students. “I’m particularly proud of my collaborations with students of determination, providing them with opportunities to explore their creativity,” Abid says. She has conducted workshops to raise funds for Gaza in collaboration with the Emirates Red Crescent Tarahum initiative at Zahia Mall Sharjah and also at Al Qasba Sharjah. An accredited Humanitarian Ambassador of Omniyat Center for People of Determination, Mussarat Yasmin Abid shares her art and thoughts with Gulf Today

What are the qualities an artist and art teacher should have?

Artists are driven by a passion for creating art, while art teachers are passionate about teaching it. Art teachers excel in communication, empathy and instructional abilities, guiding students of diverse backgrounds in their artistic journeys. Their knowledge of art history and theory, combined with organisational skills and flexibility, allows them to create engaging learning environments tailored to each student’s needs. Their constructive feedback and encouragement nurtures students’ growth. Artists don’t require formal education — some are exceptionally creative without ever attending art school, while others may have formal educational qualifications. But in teaching, academic qualifications are a requirement. Therefore, while teachers can be artists, artists can be educators only if they have qualifications.

Mussarat Yasmin Abid at work.

What are the common elements of Pakistani and Emirati art?

The art of Pakistan and the United Arab Emirates have roots in their rich cultural legacies. Both share several artistic elements, such as a preference for Islamic art, distinguished by calligraphy and geometric designs. Symbolic images like camels, falcons, horses, jewellery and traditional clothing, are incorporated into the artwork of both cultures. Both cultures also benefit from extensive collections of folktales, reflected in their artistic creations. The dynamic interaction of tradition and innovation contributes to the art scenes of both Pakistan and the UAE.

What drew you to Mesh Wire Art?

My engagement with mesh wire art began during an art exhibition held at Skyline University, Sharjah, where the challenge was to use sustainable materials for creating art. Only the resources available in the room could be used; it included recyclable materials and mesh wire was part of it. I began experimenting with mesh wire and found immense enjoyment in working with this material. Initially, I focused on creating low relief paintings with mesh, and then moved to mesh installations. Over time, I expanded my exploration to include 3D sculptures, such as birds, and even ventured into crafting mesh wire rings. I received high praise and appreciation for it during World Art Dubai. Mesh wire art remains relatively unexplored in the UAE, unlike in Europe and the West. Unfortunately, resources such as tutorials or instructional videos for mesh wire art are not found much on internet compared to those available for traditional painting techniques.

Mussarat Yasmin Abid is an artist and art teacher.

Emirati artists and expat artists live and work in different worlds. Is it so?

In the past, it was common for Emirati artists and expatriates to feel more comfortable in their own groups. However, as the UAE art scene continues to evolve, we now witness numerous collaborations where both groups come together to create and interact. A prime example of this shift is evident in art fairs such as Sikka Art and Design Festival, Ras Al Khaimah Fine Arts Festival, World Art Dubai and Art Dubai, all of which take place in the UAE, serving as platforms that unite diverse talents. These events facilitate interactions among artists from various backgrounds, fostering a vibrant and inclusive artistic community.

How is the UAE art scene evolving?

As someone deeply immersed in the UAE art scene for over 16 years, I’ve witnessed its remarkable evolution. In the 1990s, art was not as prevalent in the UAE; there were fewer opportunities to engage with it. However, with the turn of the millennium, the art landscape began to change. Around 2005, a surge of art galleries emerged, paving the way for events such as the inaugural Art Dubai in 2007. We also recently celebrated the 10th anniversary of World Art Dubai. Education has played a pivotal role. Once a less practiced part of the syllabus in universities, art programmes now abound in every academic institution. Whether in fine arts or fashion design, there’s a rich array of courses available. Previously, private tutoring filled the void left by a lack of formal art institutes. But now, specialised art and talent institutions cater to burgeoning interest and demand.