When Lady Gaga walked into a New York City bar she frequented five years ago, the memories hit hard: Back then, she wrote songs there, feeling lost and disconnected from herself. But this time was different. While sitting in the bar, Gaga felt a sense of peace and rejuvenation, reminiscent of her teenage years spent scribbling lyrics on napkins. In recent years, Gaga rediscovered her passion for music by taking a step back from the limelight, cutting ties from fake friendships, swapping the spotlight for quiet nights at home and surrounding herself with people she truly trusts. That personal transformation became the soul of her new album, “Mayhem,” which is being released on Friday. “I reclaimed myself as an artist,” said Gaga, a 14-time Grammy and one-time Oscar winner who returned to her dark pop music roots on the album, which spans 14 tracks.
Her new project follows last year’s “ Harlequin,” a jazz-inspired companion album for the film “Joker: Folie à Deux,” which stalled at No. 20 on the Billboard 200.
But Gaga’s singles for the 14-track “Mayhem” have been received well on the charts, including “ Disease,” “ Abracadabra “ and “ Die With a Smile,” a collaboration with Bruno Mars, spending five weeks on the Billboard Hot 100 at No. 1 and winning a Grammy for best pop duo/group performance earlier this month. While recording “Mayhem,” Gaga refused to rest on her past hits or accolades to define her new work. She credited her renewed creative drive to a journey of self-discovery, which ultimately empowered her to step back into the spotlight for several big moments last month.
The superstar performed with Bruno Mars at the Grammys —including a tribute song “California Dreamin’” to Los Angeles wildfire victims, closed out the FireAid benefit concert with “All I Need is Time” and delivered a surprise performance singing “Hold My Hand” before the Super Bowl in New Orleans. Next month, Gaga will headline Coachella and perform a free concert on Rio de Janeiro’s Copacabana Beach in May.
“I built a routine in my daily life around music all the time, and not around self-promotion,” said Gaga, 38, who was a producer and co-executive producer with her fiancé Michael Polansky, 41, on “Mayhem.” “When my life was circulating self-promotion, I think I lost a lot of my passion. When my life was around my family, my partner and my music, it gave me back that realness.” In an AP interview, Gaga digs deeper into what it took to regain her passion, showing she’s more than just a character and her pulling double duty on “Saturday Night Live” on Saturday.
While Gaga was dropping early hits like “Just Dance” and “Poker Face,” she noticed critics who downplayed her role in the success, giving more credit to producers and even stylists. With “Mayhem,” Gaga aimed to showcase that her talent was the true driving force behind her rise. Fuelled by the skeptics, the singer is determined to show she’s the architect of her success, not just another industry creation.
“They tried to qualify and quantify me,” she said. “Very often as a woman in music, they say it was other people. You’re a product, like you were made. Something that was really important to me on this was really taking from myself my own inventions.”
When Gaga began recording her new album, she focused on crafting the kind of dark pop melodies that defined her early career, pairing them with lyrics that spoke in code. She said it all came back naturally, giving her reassurance that she was on the right path to fully owning her identity as an artist instead of a made-up character
“This was a way for me actually to feel like I wasn’t. That it was the real me,” she said. “I was the creator. This was my work. It was just not a character I was playing. It was something that I made.”
Associated Press