‘The Friend’ is a gentle exploration of friendship indeed

The star of “The Friend” has the loping stride of Robert Mitchum and the droopy, melancholy eyes of Peter Lorre. He has those classic Hollywood features — instantly accessible, forever unknowable - and when he walks down the street with his co-stars, Naomi Watts and Bill Murray, people’s heads turn. “People would go, ‘Hey, get a load of the blonde,’” Murray says before acting out a double take. “Get a load of THE DOG!’” Bing, the harlequin Great Dane of “The Friend,” is the latest in a long line of four-legged big-screen breakout stars. But unlike canine idols before him, Bing is gigantic. Toto would fit in his paw and Asta could comfortably sit on his head. David Siegel, co-director of “The Friend,” estimates Bing has a good 40 pounds (18 kilograms) on Watts. Gentle as he is, Bing looks more like one of those hulking walkers in “Star Wars” than Lassie.

“The Friend,” which opens nationwide in theatres, isn’t your average dog movie. either. Adapted from Sigrid Nunez’s 2018 National Book Award-winning novel, it stars Watts as Iris, a New York author who reluctantly inherits Apollo (Bing), the cherished companion of her late mentor Walter (Murray). Their cramped coexistence is challenged not just by the pet policy of Iris’ building but by Apollo’s own grief, too.

“How creatures find each other — what we share with other humans but also animals — that’s where the solace comes from,” says Siegel. “We cast Bing to some degree for his countenance, just like we cast actors for their countenance. Does he have a face that can look sad? Does he look happy when he’s happy?”

On a recent spring day, Bing did indeed look happy, if a little worn out. He had spent the day at photo shoots and other media appearances, with his owner, Beverly Klingensmith, shuttling him around Manhattan in a van. Bing’s duties, which included appearances on “The Tonight Show” and “The View,” were arguably more demanding of him than his biped co-stars. In between interviews, he warmly nuzzled a reporter while a grateful publicist compared him, given the pressures of a movie marketing, to an emotional support animal.

“At one of the Q&As, every time he’d move, the audience would go, ‘Awww,’” said Klingensmith. “Bill was like: ‘I told them not to bring out the dog yet.’” But Murray and Watts have grown accustomed to being upstaged by their co-star. Not only that, as proud “dog people,” they’re delighted by Bing and praise him as not just a good boy but a fine actor. Murray has long maintained he wouldn’t trust anyone that a dog didn’t like. “Dogs have a pretty good sense of who’s OK,” Murray muses. “I’ve met many thousands of people and there’s a real high number of people I wouldn’t trust. But as far as dogs, there’s maybe only been, like, three.”

For writer-directors Scott McGehee and Siegel, the filmmaking duo of “The Deep End” and “What Maisie Knew,” the prominence of the dog in Nunez’s book — a black-and-white Great Dane graces the cover — was both a great hook for the movie and the biggest challenge in making it. When they contacted trainer Bill Berloni, he urged them to consider another breed.

“When you put that dog on the cover of a book that wins the National Book Award, it’s got to be that dog,” says Siegel, laughing. “Bill was like, ‘Can’t it be another dog?’ We were like (holding up imaginary book): ‘Look.’” An extensive search ultimately led them to an obedience-training club in Des Moines, Iowa. There, they found Bing and Klingensmith, who runs a kennel on a 10-acre property in Newton, Iowa, with her husband. The directors, having already looked coast-to-coast, stopped their search immediately.

“We kind of knew right away,” McGehee says. “He was a little too young at the time. We thought we were going to be making the movie that spring. Then the pandemic hit. So he aged beautifully right into the role.” “If you see George Clooney in person, it’s like he attracts light in a special way,” adds McGehee. “Bing has that.”

Associated Press