Ralph Ellison’s works have a new home at Bard College

Bard College, the private liberal arts school in New York’s Hudson Valley, is now home to the legacy of Ralph Ellison, whose exploration of race, identity and belonging in America helped reshape modern Black literature. Thanks to a $3.6 million donation from the Ralph and Fanny Ellison Charitable Trust, the college has opened a center named after the arts and literary luminary, who taught American and Russian literature there from 1958 to 1961.

“Bard made sense for two big reasons: Ellison had a genuine history there, and they understood the full breadth of his interests,” Donn Zaretsky, the legal representative for the trust, said in a statement to The Associated Press. The Ralph Ellison Center opened its doors late last month on the school’s campus in Annandale-on-Hudson, about two hours’ drive north of New York City.

“Bard gives those different parts of his intellectual life space to interact,” Zaretsky said, “and it gives the legacy a living, breathing community of students, artists, and scholars who can keep finding new uses for it.”

The idea for the centre was birthed during an innocuous four-hour lunch between trustee John F Callahan, the executor of the Ralph Ellison estate, and Nicholas Alton Lewis, Bard’s associate dean. Bard now has all the intellectual rights and royalties from the writer’s oeuvre, and the trust will soon begin winding down before closing.

That transfer of rights included Ellison’s 1952 magnum opus, and the only novel published in his lifetime, “Invisible Man.” The novel follows a Black protagonist who navigates social and psychological feelings of ostracization when he moves from the Jim Crow South to Harlem, New York City. The novel made him the first Black person to win the US National Book Award for Fiction.

Born on March 1, 1913, in Oklahoma City, Ellison studied music at Alabama’s Tuskegee Normal and Industrial Institute, known today as Tuskegee University, before eventually landing in New York City where friendships with writers Langston Hughes, Albert Murray, and Richard Wright inspired his turn to fiction.

He continued writing while teaching at Bard. After the release of “Invisible Man,” he worked on “Shadow and Act,” his first collection of essays, and a second novel, the posthumously released “Juneteenth.” He died of pancreatic cancer in 1994 at his home in Harlem.

Lewis, the associate dean who’s now director of the center, said scholars who engage the center will see it celebrating Ellison “not just for his literary legacy, but for all the modes through which he engaged in meaningful cultural production.”

As the 75th anniversary of “Invisible Man” approaches in 2027, the center is planning a yearlong commemoration of the novel, which is currently taught to first-year Bard students. Other flagship programs include the center’s Ralph Ellison lectures, a biannual convening of guest speakers and writers from across the country, a 10-week student internship to assist in the archival work and conduct independent research, and a digital archival effort of Ellison’s materials to the Library of Congress.

The internship program, which kick-started this past summer, trains the next generation of archivists among selected students from Bard and partner HBCUs.

Bee Hitz, a Bard senior studying art history, was one of six internship students who spent the past summer archiving Ellison’s work in Washington, DC, and on Bard’s campus. The digitization process, Hitz said, requires a painstaking devotion to detail, a critical skill for the master’s degree in library sciences they hope to acquire after graduation.

“(It’s) preparing me for the next steps of my life in terms of grad school. It’s been a really, really valuable experience to have,” they said. For visitors, the centre also serves as a third space, or a community space separate from the home or workplace. It’s meant to be a “salon,” an intellectual gathering space that facilitates ideas.

Associated Press