Peanuts and high fashion collide in new Snoopy exhibition in Paris
- 25 Mar 2025
A new exhibition opened on Saturday in Paris charting the emergence of Snoopy as a fashion icon, with the famed black-and-white beagle embraced by designers from streetwear brands to couture houses. The show at the Hotel du Grand Veneur in the Marais neighbourhood is part of the celebrations for the 75th anniversary of Snoopy, Charlie Brown and the Peanuts comic strip crew which were created by late American illustrator Charles Schulz.
It is the latest entry in a competitive but extremely well-attended field of fashion showcases in the French capital, with the Louvre (“Louvre Couture”) and the Grand Palais (“Dolce & Gabbana”) currently hosting packed-out exhibitions. “Since we’re celebrating our 75th anniversary this year, we thought it would be fun to celebrate the history that the brand has with fashion. And where else would you do that but in Paris?” said Melissa Menta from the Peanuts Worldwide company.
Entitled “Snoopy in Style” and running from March 22-April 5, the free show explains the intense care taken by Schulz to create simple, visually recognisable characters that would “bounce off the page”.
Charlie Brown was initially drawn with just a plain white t-shirt before Schulz — whose snappy dress sense is also celebrated in the show — gave him his trademark sweater with a jagged stripe. But the exhibition is at its most interesting in explaining how designer collaborations and merchandising — long before they were fashionable — helped turn a 1950s comic strip scribble into a global cultural phenomenon.
Nowadays, Snoopy is recognised by between 80-90 per cent of people in the United States, Europe, Japan and even China, according to research by the Deloitte consultancy for the Peanuts company.
Much of the credit for Snoopy’s journey from newspaper pages to mass-market clothing stores and fashion catwalks is given to Schulz’s long-time merchandising collaborator Connie Boucher. She came up with the idea of producing dolls of Snoopy and his sister Belle in the early 1980s which she then sent to fashion houses around the world, asking their designers to dress them.
“Isn’t it amazing how the busy fashion celebrities wanted to take on the challenge of designing outfits for fuzzy characters with large ears and tails?” she is quoted as saying afterwards.
By 1982, there were enough dolls — from Karl Lagerfeld, Fendi or long-time fan Jean-Charles de Castelbajac — to put on a first travelling exhibition in US cities, London and Paris. Many of them are on display in the most striking room of the Paris show that features dozens of dolls from this period and others from the present day. Italian fashion house Valentino sent a contribution that sees Belle in a replica of a couture outfit that was showcased in Paris in January this year that includes 15 different fabrics.
Seventy-five outfits created for the soft toy versions of Snoopy and his sister Belle are on display, including those designed by Dolce & Gabbana, Betsey Johnson, Zac Posen and Christian Siriano. We have dolls from every single designer around the world. Chanel is here. Karl Lagerfeld is here. Dolce Gabbana, Balmain,” Peanuts Worldwide executive Melissa Menta said. “We also have 18 sets of dolls that include Lacoste, and also Valentino by Alessandro Michele.”
“Designers wanted to include Snoopy because they realise the universal message that he carries,” curator Sarah Andelman, founder of former Paris boutique Colette, said. Elsewhere, visitors get a sense of the global marketing and commercial power of the Snoopy figure which appears on Marc Jacobs trainers, Uniqlo t-shirts, Lacoste padded jackets, Gucci jeans, Vans shoes and more.
Keeping Charlie Brown’s pet sidekick relevant to new generations so long after his first appearance on October 4, 1950, is a challenge for the Peanuts company. The fashion collaborations achieve this, but help has also come from the internet where Schulz’s 18,000 Peanuts strips are endlessly recycled. Charles Schulz, who passed away in 2000, “would be amazed at how it has taken off on social media,” his widow Jeannie Schulz told said.
Schulz’s widow Jeannie Schulz, who is the founder of The Charles M. Schulz Museum and Research Center, said the cartoonist “understood that comic strip characters had to have a style.”
“He realized after a while that you need to know immediately who the character is and what that character represents. So that’s when Charlie Brown got the stripe and Lucy got the painted dress and Sally got a bow,” she said. The show highlights a cultural difference in how Peanuts has been embraced in the United States and Europe, Menta said. “In the United States, we know them from these classic specials: ‘Charlie Brown Christmas’ is something that most Americans really embrace Peanuts for. But here in Europe, it’s most often known as a fashion brand,” she said.
Vintage fashion inspired by Snoopy and friends is also on display, from the likes of Marc Jacobs and Jean-Charles de Castelbajac –- whose affection for Snoopy led to a memorable catwalk moment in 1989, when Vanessa Paradis modelled a jacket entirely covered with Snoopy plush toys for his fall-winter collection. His “King Snoopy” statue also holds court, while elsewhere in the exhibition the vintage Peanuts merchandise on show dates back to the 1960s.
Asked why Peanuts continues to appeal 75 years on, Jeannie Schulz said she couldn’t tell “how much is just because that dog is very cute and very lovable and very sweet ... (and) how much also the comic strip represents humanity.”
“The characters in the comic strip, even Snoopy, worry about whether people like him,” she said. “Charlie Brown doesn’t know who likes him and how he fits in the world.”
Agencies